But the problems that beset the Barnes have never been black and white. Get directions. (The Barnes Foundation declined multiple invitations to cooperate, Mr. Argott said.) On one occasion, says Ms. Camp, she On one occasion, says Ms. Camp, she approached Raymond Perelman, the multimillionaire father of billionaire Ron Perelman, who was then board chairman of the Philadelphia Museum of Art. “There are valid arguments to be made for moving the collection to a place where more people can see it,” Ms. Eaton added. After a few star turns on the festival circuit, the film opens in New York on Friday. But the collection eventually became the centerpiece of a messy and sometimes vitriolic struggle, one marked by lawsuits and charges of racial discrimination and accompanied by ever worsening financial problems. Welcome to The Barnes Foundation Archives, Library, & Special Collections Catalog About the Barnes Foundation THE COLLECTOR: Dr. Albert C. Barnes, HBO Documentary Films This is the other side.Albert Barnes went to his grave in 1951 but the future of his priceless art collection remained uncertain.This is a compelling story of how lies and legal battles were overcome. Over three decades, he collected some of the world’s most important impressionist, post-impressionist, and modern paintings, including works by Renoir, Cézanne, Matisse, and Picasso. Working Class Boy is a 2018 Australian documentary film about the life of Jimmy Barnes, based on the 2016 memoir of the same name. The beginning of the end for the Barnes can probably be dated to the arrival of Richard H. There are two sides to every story. Mr. Feinberg was the driving force and financial angel behind “The Art of the Steal,” a work that traces the decades-long controversy over the museum’s fortunes and its eventual decision to abandon its longtime home for new quarters in downtown Philadelphia. DON ARGOTT was never one of those Philadelphians besotted with the Barnes Foundation, the museum of late-19th- and early-20th-century art tucked away in the suburbs. A new documentary commissioned by the Barnes Foundation tells the organization's side of the controversial relocation of its priceless art collection from suburban Philadelphia to a downtown museum, writes the “But the more we found, the clearer it became that there were dirty dealings behind the scenes.”. Institutions can’t become fossils if they want to survive.”, “The film was full of unsubstantiated allegations and very one-sided,” said Derek Gillman, the foundation’s president and executive director, who saw “The Art of the Steal” in Toronto. Greatest Art Movie Ever "Art of the Steal" (2009) - YouTube “I didn’t understand. I almost welled up. Your support helps research and conservation at the Barnes, so we can present This is the other side. Fast, free delivery. The building was completed by 1925, with the design and construction led by renowned French architect Paul Philippe Cret. Philadelphia art collector Albert C. Barnes (1872–1951) chartered the Barnes Foundation in 1922 to teach people from all walks of life how to look at art. “The film obviously had a message that didn’t reflect the complexities of the issues,” said Linda Eaton, director of collections at Winterthur. “Whether or not you agree with the will, it represents Barnes’s point of view, and it’s our script for how he thought.”. Whatever the final verdict on the film Mr. Argott has clearly savored his immersion in art-world politics. (“The Art of the Steal” estimates the collection’s worth at $25 billion.) A possible next project, titled “Ride Satan Ride,” is a homage to the horror biker movies of the 1970s. Renoir, Cezanne, Matisse, Picasso--Barnes collected it before it was popular in the U.S., and he collected the best of the best. I just suddenly understood how special it was.”. “We’re trying to be storytellers, telling the story through characters,” Mr. Argott said. One month free trial! Government agencies and philanthropic organizations played leading roles in the decision to move the collection from Merion, Pa., to new quarters in Philadelphia, scheduled to open in 2012. “I was overwhelmed,” Mr. Argott admitted. “It was made by people who were hostile to the move and very angry about it. But changing the institution is a very different issue. A quick background on the Barnes Foundation. Barnes Takeout: Your Daily Serving of Art was launched in the spring of 2020 during our closure due to COVID-19. Albert C. Barnes, founder of the Barnes Foundation in Merion, Pa. Nick Tinari at a demonstration against the proposed new location. Although much of the art once housed in the Barnes Foundation will move to a new facility in May 2012, the extensive arboretum will remain open to the public, … He defends a style that some might describe as heavy-handed, including graphics that trace the eroding of clause after clause of Barnes’s will. Told by the people who lived it!DVD documentary in English, 60 minutes. In the film civic leaders, journalists and art historians on both sides of the debate on the wisdom of that decision are heard from. I’m not sure why. Barnes founded the Barnes Foundation, which received its charter from the state as an educational institution. Directed by former Comcast anchor/executive producer Art Fennell, it's the Barnes' answer to the controversial 2009 documentary "The Art of the Steal," which makes the case that the governmental and philanthropic interests that moved the prized art collection from Lower Merion to Philadelphia violated the wishes of the late Dr. Albert C. Barnes. And though Mr. Argott attended the Art Institute of Philadelphia and has lived in the city for 13 years, he didn’t understand the passion that surrounded this highly peculiar Barnes Foundation, the subject of his latest film, “The Art of the Steal.”, “Certain people have deep feelings about the Barnes,” Mr. Argott said the other day over tea at the Morgan Library & Museum in New York, his long curly hair and dark glasses noticeable among the suits populating the cafe. It was founded in 1922 by Albert Barnes, a wealthy scientist who collected what is now considered an incomparable collection of Impressionist and Modernist art. Using archival material, talking heads and graphics to present a case that audience members will find either compelling or strident, depending on their point of view, “The Art of the Steal” brings to life one of the most adored and detested figures in the American art world. Posts about Barnes Foundation written by Rick Ouellette “As through this world I wander, I see lots of funny men,” Woody Guthrie sang back in 1939, “Some will rob you with a six-gun and some with a … The story of Dr. Albert Barnes (1972-1951) and his art collection, which includes works by Picasso, Cezanne, Renoir, Gauguin, Matisse, and many But his taste is nothing if not eclectic. The Barnes Foundation, where a dazzling collection of painting and objects is arranged in unusual ways, can be espe... Art galleries can be intimidating places. Albert C. Barnes, born in 1872, made his fortune in business but was primarily an educator and collector who presciently snapped up some of the world’s greatest examples of Impressionist, Post-Impressionist and early Modernist paintings. Predictably, the film provoked what an arts blog described as “big fireworks” when it was shown last fall at the New York Film Festival. For starters there is the title itself, which makes clear what they think transpired behind the scenes. “Even if you agree with their conclusions, that the Barnes should stay where it is, this work is a polemic that’s structured to get people riled up, to get them excited and angry.”. This HBO documentary follows Dr. Albert C. Barnes from his humble Philadelphia beginnings to his breakthrough medical discovery, and onto his whirlwind collecting of art and the formation of his legendary educational foundation. Some members of the museum world who have seen the film have also taken sharp issue with many of Mr. Argott’s conclusions and with the style in which they are presented. The fate of Barnes’ prized art collection was decided well before his death. I’m not sure why. A scene from Don Argott’s documentary “The Art of the Steal.”. That’s why we didn’t cooperate with the filmmakers. The documentary explores controversial plans to move the Barnes Foundation's $25 billion art collection to downtown Philadelphia — against the wishes of its founder. Albert Barnes Barnes Foundation Dog Artist Best Pal Conspiracy Theories International Film Festival Documentaries Portrait Photography We wanted to make a work that would resonate with audiences, and these are the kinds of works that do.”. Dubbed by The Art of the Steal is a 2009 documentary film directed by Don Argott, about the controversial move of the Barnes Foundation, generally considered to be the world's best collection of post-Impressionist art and valued in 2009 to be worth at least $25-billion, from Merion, Pennsylvania to Philadelphia. “We never set out to make an agenda piece,” Mr. Argott said. This is the other side.Albert Barnes went to his grave in 1951 but the future of his priceless art collection remained uncertain.This is a compelling story of how lies and legal battles were overcome. 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